The Polish pianist Arthur Rubinstein became one of the first piansts to tour the world. In 1912 he settled in London. It was his disgust with Germany's conduct during the war that led Rubinstein never to play there again. During the Second World War, Rubinstein's career became centered in the United States. Although best known as a recitalist and concerto soloist, Rubinstein was also considered an outstanding chamber musician.

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1st movemnet Alegro maestoso

2nd movement Romanza

3rd movement Rondo

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1st movemnent Alegro moderato wirth candenza by Saint Seans

2nd movement Andante con molto and 3rd movement Rondo

"Rarely, rarely as comes the spirit of delight, there is the infrequent occasion which makes the reviewer's life really worth while : such an occasion is the issue of this recording. I cannot remember a finer or more deeply satisfying performance of this great concerto, one which more effortlessly overcomes every obstacle and in which every detail is so meticulously polished and so absolutely right. The recipe is simple enough : take a soloist and a conductor who, besides being personalities as well as great artists, are entirely en rapport, add a first-rate orchestra of alert musicians, give them all enough time to rehearse thoroughly, finish off with a recording engineer who secures the right balance between piano and orchestra, and who captures the lustre of the orchestral playing —and you get a masterpiece, like this.

Throughout these discs there is this feeling that two personalities are pulling together, each inspiring the other. The orchestral playing is never allowed to become just an accompaniment, but is full of life (notice, as one instance only, the basses in bars 55-58). Phrasing is beautifully modelled, the rhythm is admirably taut (listen to the second subject of the first movement), and the perfectly-controlled string dynamics at the end of the Andante are most moving. Rubinstein's cadenzas, which are new to me, are entirely acceptable in style, though that in the first movement is over-long.

So far as I am concerned, nobody need bother to record this concerto again : this performance is it ! " Lionel Salter reviewing the original release in Gramophone October 1949

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